Fluctuations in human musical rhythms
The nature and perception of fluctuations in human musical rhythms
Have you ever wondered why music generated by computers and rhythm machines sometimes sounds unnatural? One reason for this is the absence of small inaccuracies that are part of every human activity. Professional audio software therefore offers a so-called humanizing technique, by which the regularity of musical rhythms can be randomized to some extent.
But what exactly is the nature of the inaccuracy in human musical rhythms? Studying this question for the first time, we found that the temporal rhythmic fluctuations exhibit scale-free long-range correlations, i.e., a small rhythmic fluctuation at some point in time does not only influence fluctuations shortly thereafter, but even after tens of seconds. While this characterization is relevant for neurophysiological mechanisms of timing, it also leads to a novel concept for humanizing musical sequences. Comparing with conventionally humanized versions listeners showed a high preference for long-range correlated humanized music over uncorrelated humanized music. (Photo: Courtesy of Agbenyega Attiogbe-Redlich, www.hippocritz-school.com)
Reports on this work
Spektrum der Wissenschaft (in German)
Report by Deutschlandfunk (in German)
We held an online survey, where participants were able to listen to both exact recordings of music by J.S. Bach and to versions of these songs that were humanized using the different techniques.
Statistical results of the survey can be found here: View survey results
Examples of humanized audio samples
The diference between the humanizing approaches can be understood by listening to the following two musical excerpts, which are available below in different humanized versions (1/f humanizing and conventional white noise humanizing):
J.S. Bach, Invention no.1 in C major, BWV 772
J.S. Bach, Prelude no. 2 in C minor (Well-tempered Clavier Vol. II, BWV 871)
Audio samples of humanized music can be found in the audio gallery.
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Members working within this Project:Viola Priesemann